DREAM GIRL MOVIE REVIEW

 The film "Dream Girl," starring Ayushmann Khurrana, is directed by Raaj Shaandilyaa, who has written several shows for Kapil Sharma. When assessing the success of Kapil's show, Raaj may have considered the fact that men portray female characters, a fact that the audience finds deeply appealing.

He further explored this idea in his film "Dream Girl." The protagonist of the film, using a female voice, converses with men in a call center, often in a love-filled conversation.

Raaj Shaandilyaa says he got the idea from a friend who used to talk to a girl on the phone. He later discovered that she was a boy.

Karamveer Singh (Ayushmann Khurrana) has been adept at imitating a girl's voice since childhood. This is why he gets the role of Sita in the play.

As a young man, unemployed Karamveer takes a job at a call center, where he changes his voice to Pooja and sweetly chats with men on phone calls.

Meanwhile, Karam falls in love with Mahi (Nusrat Bharucha), but he doesn't tell her what he does. He fears that Mahi will reject him if this becomes known.

Hundreds of people are captivated by Pooja's voice. They fall in love with her, and some even become eager to marry her. Karam's troubles are compounded when people around him become obsessed with her.

Karam, playing Pooja, also realizes how lonely people truly are in this world, despite having thousands of friends on social media.

Written by Raaj Shaandilyaa and Nirman D. Singh, this film had ample scope for comedy as it was a unique idea, but it wasn't fully exploited.

The film starts off briskly and well. Karam's journey to becoming Pooja is enjoyable, and the journey between Karam and his father (Annu Kapoor) is excellent. After this, hopes arise that the film will deliver more laughs, but it doesn't.

While watching the film, one feels as if the writers' repertoire is running low. They have nothing left to offer. They're using one-liners to achieve their unique ideas, leading to repetition and faltering at several points.

It's difficult to understand why Karam hides from his fiancée that he works at a call center. Mahi gets engaged to him without knowing what Karam does. Overall, Karam and Mahi's love story is handled in a haphazard manner.

Vijay Raaz's poetry scenes don't leave much of an impact. Similarly, there's no logic behind portraying Karam's boss as a villain.

The film also has positive aspects. For one, the story's concept is compelling, and the audience is drawn to the fact that the hero, speaking in a female voice, is wooing men.

There are some excellent scenes that will make you laugh out loud, such as Karam's father converting to Islam, the dialogue between Karam and his father, Karam's father's visit to Pooja, and the scene between Karam and Mahi's grandmother.

Raaj Shaandilyaa's direction is above average. He was supported by a good cast, so he made a decent film. The good thing is that he didn't let the film become vulgar.

Ayushmann Khurrana is consistently making films that are out of the box. In Dream Girl, he transcended the script and largely saved the film. His comic timing and expressions were excellent.

Annu Kapoor, as the playful father, also made the audience laugh a lot. Nusrat Bharucha didn't have much to do, but her acting was decent.

Vijay Raaz tried to breathe life into "Boring Shayari" with his acting. Rajesh Sharma's role was poorly written. The songs don't make sense in the film, yet they're included.

The unique idea in "Dream Girl" isn't fully exploited, but despite its novelty, it's a one-time watch.              mumbai escorts||  escort in gurugram||  gurugram call girl||  call girls in gurugram||  jaipur escorts||  gurugram escorts||