WELCOME BACK MOVIE REVIEW

 In this era of sequels, many filmmakers are trying their luck. Some have found success, while others, after failing, have never considered making a sequel again. This time, director Anees Bazmee, whose film Welcome was a huge hit, is trying his hand at a sequel.

This time, Khiladi Kumar's presence is absent, and Katrina Kaif's charisma is also lacking, but John Abraham and Shruti Haasan seem to be making up for it. Furthermore, there's the combination of Anil Kapoor and Nana Patekar. So, before answering whether all this is enough to make Welcome Back a hit, let's tell you the story of the film.

The two brothers from the previous installment, Uday (Nana Patekar) and Majnu (Anil Kapoor), have given up their evil ways and become simple businessmen in Dubai. They fall in love with Chandni (Ankita Srivastava), the princess of Najafgarh, whose mother is the queen of Najafgarh (Dimple Kapadia). But before they can marry her, the two brothers must send off their step-sister, Ranjana (Shruti Haasan), in a palanquin. This is where Mumbai gangster Ajju (John Abraham), who falls in love with Ranjana and coincidentally happens to be the stepson of Ghungroo (Paresh Rawal), enters. Uday and Majnu seek the help of the most wanted Bhai (Naseeruddin Shah) to free their sister from Ajju. But there's a twist here, and you should head to the theaters to find out.

Anees Bazmee's Welcome was quite illogical, and expecting its sequel to be logical would be unfair. Welcome Back is far from logical, but despite this, it's thrilling right to the end, just like Welcome.

I didn't expect this film to be so humorous in the absence of Akshay Kumar. But the dialogues and the actors' performances proved me wrong.

Certainly, the film's plethora of coincidences is impossible in real life. Ghunghru's adoption of his illegitimate gangster son seems illogical. The initial misunderstandings and subsequent love between gangsters like Ranjana and Manju are unacceptable. Chandni and her mother donning the garb of the Queen of Najafgarh to conceal their thug business, and Majnu and Uday believing it to be true, are also unacceptable. These and many other absurdities clearly demonstrate that Anees Bazmee's film won't waste its time presenting logic. The film is made to be laughable, and without worrying about logic, it gives you a good time, a lot of laughter.

From broken jokes to well-written couplets, the film provides ample opportunity to laugh. In one scene, while feeling Dimple Kapadia, the blind Naseeruddin Shah asks, "Why are you leading us towards the thorns when the fragrance is right there?"

The jokes are also not overly elaborate. A few familiar ones and a few double-meaning sentences, and your school of laughter is ready.

And the top performer in this school is the Anil Kapoor-Nana Pakekar duo. Their arrogance hasn't diminished. The way they pull each other's and others' legs is as brilliant as ever. Here, I would like to say that Anil Kapoor's timing and his acting are exceptional. He dominates every frame.

There could not have been a better choice than Akshay Kumar's friend John Abraham for the role of a powerful gangster. John shows off his physique and muscles to great effect, and his screen presence is quite impressive.

Shruti Haasan's performance in the film is decent, though she doesn't get much to do beyond showcasing her beauty in a commercial entertainer, or rather, she doesn't get a chance to showcase her acting chops.

Paresh Rawal once again brings his character to life and delivers a good performance. Naseeruddin Shah once again delivers a superb performance and delivers a lot of "jokes."

One of the film's weak points is its songs. Not a single song is memorable, and some seem forced into the film. Despite this, they only cause a minor disruption.

Welcome Back is definitely worth watching, provided you leave your brain at home. It's as illogical as Welcome, but slightly more entertaining. 

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